American conductor and pianist Kamal Khan has performed with many opera companies around the world including the Metropolitan Opera, Dallas Opera, Baltimore Opera, Palm Beach Opera, Teatro Colón in Buenos Aires, Teatro Municipal in Rio de Janeiro and Sao Paulo in Brazil, Teatro de las Bellas Artes in Mexico City, Oper der Stadt Bonn and the Staatstheater Schwerin, Germany, Cape Town Opera, Opera South Africa, Opera de Puerto Rico, Asian Cultural Center, Korea and the International Festivals of Cervantino in Mexico and Santander, Mérida, La Coruña, Tenerife and Málaga in Spain. Additionally he has conducted the Jerusalem Symphony, Buenos Aires Philharmonic, Beijing Symphony, Shanghai Symphony, São Paulo Philharmonic, Balearic Islands Philharmonic, Oviedo Philharmonic, the Spanish Radio and Television Orchestra, Cape Town Philharmonic, Kwazulu-Natal Philharmonic and the Orchestra of the Academy of St Martin in the Fields

As a recitalist and accompanist Kamal Khan has appeared in venues such as Alice Tully Hall, Carnegie Hall and Weill Hall in New York, The Kennedy Center in Washington DC, Gran Teatro Liceu and the Palau de la Música Catalana in Barcelona, Palais Garnier in Paris, Suntory Hall and Casals Hall in Tokyo, the Palau de Congressos in Andorra and the Baxter Concert Hall and Montecasino in South Africa with singers such as Nadine Sierra, Veronica Villarroel, Justino Diaz, Lauren Flanigan, Herman Prey, Ainoha Arteta, Nadine Benjamin and violinist Joshua Bell and on the concert stage he has collaborated with such singers as Dmitri Hvorostovsky, Marcelo Alvarez, Bryn Terfel, Pretty Yende, Juan Pons, June Andreson and Angela Meade.

Most recently Prof. Khan was the Director of the Opera School at the University of Cape Town, he is Affiliate Faculty at the Royal Opera Covent Garden Jette Parker Young Artists Program and the Juilliard School, Music and Artistic Director of the Mediterranean Opera Studio and Festival. He has been Assistant Conductor at the Metropolitan Opera and Resident Conductor and Chorus Master of the Palm Beach Opera where he founded the Resident Artist Program. He was also Resident Conductor of the Opera Festival in Tenerife and Head of Faculty of the International School of Vocal Study of the Balearic Islands. Additionally he has worked with the Mannes College of Music, the Manhattan School of Music in New York, the International Vocal Arts Institute, European Center for Vocal Arts, Chautauqua School of Music, Opera Theatre of St Louis, Ravinia Festival and Glimmerglass Opera. He has given masterclasses at the Opera Hogskolan at the University of the Arts in Stockholm, the Royal Irish Academy of Music in Dublin, the University of Michigan, and Georgia State University in Atlanta.

A graduate of the Manhattan School of Music Kamal Khan was assistant to James Levine at the Metropolitan Opera and collaborated with such conductors as Nello Santi, James Conlon, Julius Rudel, Christian Thielemann, Carlo Rizzi and Marco Armiliato and singers Teresa Stratas, Plácido Domingo, Renata Scotto, Sherrill Milnes, Dame Kiri Te Kanawa, Mirella Freni, Luciano Pavarotti, Marilyn Horne, Renée Fleming, Carlo Bergonzi, Tatiana Troyanos. Ghena Dimitrova and Bonaldo Giaiotti to name a few.

Some of the works he has conducted include Don GiovanniLe Nozze di FigaroCosi fan tutteDie ZauberflöteNorma, I Puritani, La Sonnambula, Lucia di Lammermoor, La Favorita, L’Elisir d’amore, Tosca, Rigoletto, La Boheme, Il Tritico, Turandot, La Traviata, Nabucco, Un Ballo in Maschera, Carmen, Werther, Mefistofele, Cavalleria Rusticana, I Pagliacci, Die Fliegende Holländer, Ariadne auf Naxos, Porgy and Bess, Die Fledermaus, The Rake’s Progress, The Merry Widow and the African premieres of Il Viaggio a Reims and Dead Man Walking and the Five:20 Operas Made in South Africa commissioned to celebrate the South African College of Music’s Centennial in 2011 which was followed by the Four:30 Operas Made in South Africa.

A native of Washington DC, Kamal Khan was the recipient from the first National Foundation for the Advancement of the Arts prize, he is also received prizes and grants from the National Association of Music Teachers and the National Symphony Orchestra and the PBS- Channel 13 documentary “I Live to Sing” based on his work in South Africa won the 2014 EMMY for best cultural programing