“With fleet tempos, resident conductor Kamal Khan consistently brought out the sparkle and lyric beauty of Mozart’s rich score, his assured, stylish and idiomatic direction providing rhythmic point and elegance as needed.”
Lawrence A. Johnson, Sun Sentinel
Die Zauberflöte, Palm Beach Opera February 2006

“Musically the production is perhaps even better than last time around. Khan once again conducts with a sure sense of the musical style and dramatic nature of the score and obtains some gratifyingly good playing from the orchestra.”
Deon Irish, Cape Times
Nabucco, Cape Town Opera April 2005

“...accompanied by the Symphony Orchestra of the City of Oviedo, composed of seventy members, very attentive to pitch and gifted with a musicality and tone color on the level of the finest European groups, the prelude of the Third Act of La Traviata was a model of refinement and expressive clarity, under the baton of Kamal Khan, who cannot be questioned as an opera conductor.”
Aguiló de Cáceres, Diario de Mallorca
Concert with Juan Pons – Symphony Orchestra of Oviedo, Mallorca August 2004

“The orchestra was resplendent under the magnificent conducting of Kamal Khan, who is in his debut as the company’s resident conductor, maintained the highest level of expressivity and musicality, allowing to each of the casts the necessary support highlighting the vocal and interpretative resources.”
Eduardo Brandenburger, Opera Actual
La Traviata, Palm Beach Opera December 2003

“The whole musical aspect was wonderful, conducted by Kamal Khan with meticulousness and above all passion, transforming the score into an intelligible discourse loaded with emotion. There was cohesion not just simple coordination, participating in the same interpretative intensity were the orchestra, soloists, and chorus.”
Emili Gené, Ultima Hora
Mefistofele, Palma de Mallorca February 2001

“The conducting of Kamal Khan was a real luxury.”
Pere Bujosa, Opera Actual
La Favorita, Pamplona June 2000